The Strange Stone Discs of Baian-Kara-Ula

Unearthed from a remote mountain cave in 1938, these grooved stone discs defied translation until 1962. Researchers claim the discs tell an astounding story of alien visitors who survived their spaceship’s crash-landing in China 12,000 years ago.


Just before the outbreak of the Second World War, Chinese archaeologists stumbled upon a cave containing small skeletal remains. Alongside the bodies they found stone discs that were only deciphered 20 years later. They seemed to tell of an extraterrestrial craft that had crash-landed in the mountain range of Baian-Kara-Ula 12,000 years ago. The Western media treated the news with the usual attitude of “communist propaganda—do not believe a word of it”. But Hart wig Hausdorf recently returned from China with a different tale to tell. The discs exist—and do indeed seem to indicate that representatives from a space-faring alien race visited the Chinese mountain area in antiquity.
Slowly, the mountains of Baian-Kara-Ula, along the Chinese-Tibetan border, were starting to reveal their secrets. Scientists had stumbled upon an intricate network of connecting caves. In one of them they came across the neatly ordered graves of a race that appeared most peculiar, strange even: short bodies, except for the skull which was unproportionately large. At first, the scientists believed the caves had been the habitat of monkeys; but their leader, archaeologist Professor Chi Pu Tei, pointed out he had never heard of monkeys burying their dead.
During the unearthing of the bodies, an archaeologist recovered a stone disc from the bottom of a grave. All the archaeologists gathered around the artefact and turned it in every direction, trying to figure out what it had to mean. A circular hole in the middle and a groove spiralling inward or outward, however you wanted to look at it, were the only apparent features. Had they stumbled upon a Stone Age LP? Did “The Flintstones” really exist?
Closer inspection showed that the grooves were actually a line of small carvings or signs. Each disc was a book, but, upon their discovery in 1938, nobody possessed the dictionary so no one was able to read them. All the discs were collected and stored along with the other findings made in the area. There was no reason to consider these stone discs special or important; perhaps just odd.
The discs were kept in Peking, where, for the next 20 years, a line of experts tried to decipher the writing. Nobody succeeded. But, in 1962, Professor Dr Tsum Um Nui did succeed, and learnt of the astonishing message the discs contained. He announced his findings to a small group of friends and colleagues, but the public remained unaware of his discovery. The public was purposefully kept in the dark, for the authorities felt it wise not to announce the professor’s findings. The Peking Academy of Prehistory forbade the professor from publishing anything about the discs.
After two years of probably utter frustration, the professor and four of his colleagues were finally allowed to publish the conclusions of their research. They decided to call it “The cartelled script relating to the spaceship that, as is written on the discs, descended on Earth 12,000 years ago”. The discs, 716 of which were retrieved from one cave, told the story of inhabitants of another world stuck in the mountains of Baian-Kara-Ula. The peaceful intentions of these people had not been comprehended by the local population. Many extraterrestrials had been chased and killed by members of the Han tribe, living in nearby caves.
Professor Tsum Um Nui offered a few lines of his translation:
The Dropa came out of the clouds in their aeroplanes. Before sunrise, our men, women and children hid in the caves ten times. When they finally understood the sign language of the Dropa, they realised the newcomers had peaceful intentions…
Another part of the text stated the Han tribe regretted that the Dropa had crashed in this remote area and that they were unable to build a new spaceship so the Dropa could return to their home planet.

Tsum Um Nui’s colleagues laughed: the good professor had clearly lost his marbles. How could such a thing be true? Their ungrateful reception made the professor decide to move to Japan, where he died the following year.
Since the discs’ discovery more than 25 years before, other archaeologists had learnt more about the history of the area. That newly acquired knowledge indicated that the story, as it appeared in Tsum Um Nui’s translation, could be correct. Legends circulating even at that time spoke of short, skinny, yellow men that “had come out of the clouds a very long time ago”. These people had big, knobby heads and small bodies and were a terrible sight to see, according to the locals who had chased these people away on horseback. The description of these people is identical to the bodies Professor Chi Pu Tei had recovered in 1938.
Mural paintings were found inside the cave. They depicted sunrise, the Moon, unidentified stars and the Earth—all connected with dotted lines. The discs and the cave’s contents were dated at about 10,000 BC.
The caves were still inhabited by two tribes, calling themselves the Han and the Dropa, the latter people of strange expression. Barely 1.3 metres (4 feet) tall, they were neither Chinese nor Tibetan. Even an expert could not indicate their racial background.
The report on the translation of the discs, published in 1964, did not signal the end of this mystery. Obviously other people and organisations were interested.
Enquiries came from the Soviet Union, with scientists requesting some of the discs to be sent to them for study, which the Chinese did. The Soviets removed pieces of ‘dirt’ and made various chemical analyses. The Soviet scientists were surprised to learn that the discs contained fairly high amounts of cobalt and other metals.
Dr Viatcheslav Saizev reported in the Soviet magazine, Sputnik, which he had put the discs on a special machine which was somewhat like a gramophone. When turned on, the discs “vibrated” or “hummed” as if some kind of special electric charge had been pushed through the discs in a particular rhythm; or, as one scientist stated, “as if they formed a part of an electric circuit”. Somehow, at one time they had been exposed to high electric charges.
Such findings, however, had little to do with the other discs that stayed behind in China. Shortly after Tsum Um Nui’s decoding, the Cultural Revolution of the late 1960s swept over China, and there was no public concern over the discs’ fate or their message.
In 1974, an Austrian engineer, Ernst Wegerer, stumbled upon two discs in the Banpo Museum at Xian and photographed them. The Swiss “ancient astronauts” author, Erich von Däniken, learnt of the discs and Wegerer’s photographs, and wrote about the discs in one of his books. Few believed von Däniken reported a true discovery; most felt he had made it up.
It was German tour operator, Hartwig Hausdorf, who changed the situation. In March 1994, he and Peter Krassa, a friend of von Däniken, left for China. Hausdorf said later:
In Xian we visited the Banpo Museum searching for the discs that Wegerer had photographed two decades earlier. But our optimism was not rewarded. Nowhere could we find any trace of the discs. Had Wegerer really made up the entire story? That seemed unlikely.
We asked our guides and Professor Wang Zhijun, director of the museum. At first, they denied the discs even existed! Within an hour of our having shown them the photographs, Zhijun stated that one of his predecessors had indeed given Wegerer permission to photograph the discs, that the discs did indeed exist or had at least existed. Shortly after having given Wegerer permission to photograph the discs, that director was ‘asked’ to resign. We learnt that, ever since, not a single trace of the director had been found.
Krassa, a compatriot of Wegerer, had managed to collect all four of Wegerer’s photographs.
Director Zhijun showed us—when he realised we would not leave without knowing all there was to know—a book on archaeology in which photographs of the discs could be seen. Afterwards, he took us to a nearby centre, the location where the museum’s artefacts were cleaned and catalogued. On one chair stood an enlarged copy of a stone disc. He hinted that, a few years ago, word had come down ‘from above’, from his superiors, that all traces of the discs had to be wiped out, and that he was to go on record as saying everything was one big lie. Such attitudes are of course not benevolent for anyone who wants to find the truth.
Had Hausdorf and Krassa been less obstinate, they might have classed Wegerer as a hoaxer.

Krassa and Hausdorf also came across the story of an Englishman, Dr Karyl Robin-Evans, who had travelled to China in 1947. Before his arrival, a Professor Lolladorff had shown him a stone disc which he believed to have been found in northern India. The object appeared to have belonged to a tribe, the “Dzopa”, who had used the discs during religious ceremonies. Dr Robin-Evans stated the discs had a radius of 12 centimetres and were about five centimetres thick.
The professor put the disc on a balance and connected the balance to a typewriter. He illustrated how the disc, over a period of three and a half hours, apparently gained and lost weight! After one day, this change in weight created a printed line on the paper in the typewriter. The change in weight had allowed the typewriter to print, leaving characters on the paper. The discs could sort of type! Though it was easy to explain what had happened, how it had occurred was basically impossible. How could a stone disc change weight?
Apparently Dr Robin-Evans was unwilling to lose face over this stunning experiment. Though his report had been written in 1947, it was only published in 1978, four years after his death (see Dr David Agamon [ed.], Sungods in Exile, Sudbury, 1978).
After his meeting with Prof. Lolladorff, Dr Robin-Evans set course for the Chinese mountains in search of the Dzopa tribe. First, he passed through Lhasa, Tibet, where he was welcomed by the 14th Dalai Lama, who was 12 years old at the time. In 1947, Tibet was still independent. Only in 1950, when the Dalai Lama fled to northern India, did the Chinese take possession of the country. As mentioned, Baian-Kara-Ula is situated along the Chinese-Tibetan border but it suffered little, being a remote mountain range.
Once in the high mountains, Robin-Evans’ Tibetan carriers decided to stay behind. They were afraid. The landscape had that sinister look and they wanted to return home. Their unwillingness illustrates how the Baian-Kara-Ula area was scarcely explored up until 1947, save the scientific expedition a decade earlier.
Dr Robin-Evans managed to reach his destination and gain the confidence of the Dzopa people. He was provided with a language instructor who taught him the basics of the Dzopa language.

Then, Lurgan-La, the religious leader of the Dzopa, told him the history of the tribe. He stated that their home planet was in the Sirius system. Lurgan-La explained that two expeditions had been sent to our Earth: the first, more than 20,000 years ago; the second in 1014 AD. During the 1014 AD visit, a few spaceships crashed; the survivors were unable to leave Earth. He said that the Dzopa are the direct descendants of those people.
Among the estate of Robin-Evans was a most remarkable photograph: the royal couple Hueypah-La and Veez-La. They measured 1.2 and 1.07 metres! Not only was their height small; their entire appearance could only be described as strange.
The important question was whether the “Dropa” and the “Dzopa” were one and the same tribes or different tribes. But Robin-Evans had apparently been aware of some controversy regarding that subject. Though “Dropa” was the correct spelling, “Dzopa” or, rather, “Tsopa” was closer to the correct pronunciation of the word. He felt it would be better to write “Dzopa”, as that was closer to the correct pronunciation (see Agamon [ed.], Sungods in Exile).

There were only two remaining problems. The date on the stone discs, 12,000 years ago, did not coincide with the statements of the religious leader: 20,000 years ago and 1014 BC. Furthermore, the discs appeared to contain statements by non-Dropa tribesmen describing the Dropa, but the stone discs were apparently written by the Dropa. Did some locals intermingle with the Dropa? Or was the information somewhat garbled? Though Hausdorf, Krassa and Robin-Evans have been unable to explain these contradictions, more research in the future might shed new light on that aspect of this intriguing case.
Hartwig Hausdorf hopes he will receive permission to enter the Baian-Kara-Ula mountain range to search for the Dzopa tribe people, should they still exist. But since the tribe was still in existence in 1947, there are probably living descendants today—except if the order of 1965 to “do away with all traces of the stone discs” has ended the tribe’s existence.
Hausdorf looked into the latest, 1982 list of recognised national minorities in China and learnt that the Dzopa are not recognised as a minority in their home province, Qinghai. Might they therefore no longer exist? The list does specify that 880,000 people are not recognised as ethnic minorities. They make up 25 tribes. Hence they might not be recognised, or they might be listed under a different name, as the Hanyu-Pinyin transcription ‘translated’ certain names completely differently from what they were before.
Another mystery with which Hausdorf battled was the name of Tsum Um Nei, a name that wasn’t Chinese. This fact had led to rumours that the man had never existed and was a figment of someone’s imagination. But an Asian friend of Hausdorf told him that “Tsum Um Nei” was a mixture of Chinese and Japanese. The Japanese pronunciation of the name had been written down in Chinese, just like any German named “Schmidt” would be named “Smith” in America. “Obviously the guy was Japanese,” Hausdorf realised, which would explain why the professor was able to return to Japan to retire.
Hartwig Hausdorf was able to prove that the stone discs and the Dzopa tribe really did exist. His next task is to find out whether their legend has come down accurately— and whether it might be true.

THE DARK VATICAN SIDE.

The Vatican City is the heart of the Catholic church and the Pope (Pontifex Maximus) is the head of the church and the supreme “spiritual” leader of all of the world’s Catholics. But the Vatican hides some of the darkest secrets one can imagine.

Sedes Sacrorum – Etymology

Sedes Sacrorum (Latin for Holy Seat), known as the Holy See in English, is the seal of the Vatican City State.

Sedes Sacrorum (SS)

“The Roman Cult* which controls the Catholic Church maintains that the first person to use the concept of the Holy See was St. Peter.

This of course, is impossible as the etymology of the word “Sedes” (See) and its associated meaning were not in existence until hundreds of years after the execution of St. Peter in 70 CE at the Siege of Jerusalem.” [1]

*The Roman Cult is a shadow group of blood-thirsty Satanists, which was involved in “child sacrifice, burning people alive (since 11th Century CE), demonic worship and absolute celibacy of its lowest priests.

“Since the 1st Century BCE, its high priests known as ‘Pontiffs’ — a hereditary position controlled by a handful of ancient families — claimed the ancient pre-Republic title of Pontifex Maximus after the Roman Emperors assumed themselves as high priest of the state cult of Magna Mater (Cybele).

Pope’s Francis
Coat of Arms

“Jealously guarding their pagan heritage and right to sacrifice people to their demon gods, the priestly families were banished from Rome more than once along with the closure of the Vatican temple.

“However, during the tumultuous periods in Roman history after the collapse of Rome as the center of the Empire, the pagan high priests assumed the role as community leaders in Rome and during more than one period, openly returned to their pagan practices of child sacrifice, cannibalism and demonic worship as late as 590 to 752, 847 to 872 and even as late as 896, 1057.” [2]

“Under Pope Innocent VIII, the role of the Inquisition and Inquisitor changed to increase their legal and spiritual authority when dispatching ‘heretics’.

Around 1483 Tomás de Torquemada was named Inquisidor General of Aragón, Valencia and Catalonia. His torturers and special militia were then blessed with being sworn into the highest sacred order of the Roman Cult — the SS or the Knights of the Sedes Sacrorum.

As a military order of the Roman Catholic Church, the Knights of the Sedes Sacrorum (SS) were bestowed by the legal orders of the Roman Pontiff on behalf of the Mother Church to wage constant Holy Inquisition against all ‘heretics’, including assassinations, torture and counter-intelligence, to protect the name of the Holy Roman Catholic Church and directly represent the interests of the Holy See as its primary order of Holy Knights — the SS (Sedes Sacrorum or Holy See).

As a spiritual order of the Roman Catholic Church, the SS were bestowed with the extraordinary Roman Catholic grace of being forgiven for all their mortal sins (therefore can go to Heaven) that “unfortunately” must be done in order to observe its temporal orders.

In others words, the troops of the Grand Inquisitor Tomás de Torquemada were the first religious military order to be granted “immunity” from Hell by the Pope on account of its acts of torture, terror and evil.

The last open Satanic ritual sacrifices under the Holy Inquisition was in the early 19th Century. By the beginning of the 20th Century, there were less than a few hundred SS soldiers still assigned to the Holy Inquisition.

However, upon the appointment of Fr Heinrich Himmler S.J. in 1929 to the NSDAP in Germany, a new Nazi SS (Knights of the Sedes Sacrorum) Army of several hundred thousand was created by 1939 to wage the single greatest Inquisition ever undertaken by the Roman Cult — with over 18 million innocent people burned alive in ovens in Russia and Poland.

The German SS were disbanded at the end of World War II, with the Roman Scroll of the SS being handed to the United States SS (Secret Service/Sedes Sacrorum) by 1945. The United States SS was officially created into a military/spiritual force after the assassination of President William McKinley in 1901.

After the staged gun-fight outside Blair House in 1950, the United States SS have had absolute protection of the President of the United States, holding him a virtual prisoner of the State under the guise of official protection.” [3]

The Hidden Code of the SS

Babylonian depiction of priests with fish suits,
working with the tree of life, while holding pine cones
(pineal gland) and buckets — signs of advanced
knowledge in genetics — being overwatched
by a “god” in flying ship

Both the SS and Pope’s Francis coat of arms have the papal mitre in the center, which is a head cover worn by the cardinals and the pope and dates back to the Dagon priests, more than 4,500 years ago.

Seen from the side, the mitre looks like a fish head with open mouth, and this is exactly what it represents. It is the worship of the fish “god”, who allegedly came out of the water and offered great knowledge to the people. The “christian” fish logo represents the same Dagon “god”.

Dagon or Oannes was “a fish god who imparted great knowledge to the people. He taught them how to build cities. He also taught them math and geometric laws, and was credited with giving them all the knowledge that they would ever receive.

At night, he would go back into the sea to spend the night, because he was amphibious.  He had the head of a man; covered by the head of a fish, and had the legs and feet of a man and the torso of a man, but was covered by the scales and tail of a fish.” — Berossus; from ancient fragments (Isaac Preston Cory) [4]

According to the “Lost Book of Enki“, the fish “god” was none other than Ea (Anunnaki leader of planet Earth, who was later known as Enki), who landed his massive space ship on water.

He then emerged from the water wearing his “fish suit” (i.e. most probably an astronaut suit of some kind) and built the first settlement for the Anunnaki on Earth. He named it Edin (the Biblical Eden), which meant “Home of the Righteous Ones” (i.e. Home of the Anunnaki gods).

(It was in the Edin that the city Eridu was established, which meant “the home from afar.” The name, later “migrated” into all major cultures of the world. It was known as Erde in German, Ertz in Kurdish, Eretz in Hebrew and Erthe in Middle English. This means that we still call our planet “the home from afar” to this day). [5]

The founder of this religion was Nimrod (the king of Shinar), which was a latter name of Dumuzi. Nimrod/Dumuzi was one of Enki’s sons, hence of “royal” Anunnaki blood. Many of today’s “royal” bloodlines are descendants of Nimrod.

The keys found on both logos of the Vatican and the way they are positioned, refer to a diligently guarded secret. In symbolism, the key represents locked knowledge and/or guarded secrets.

But what secrets is the Vatican protecting? The way the keys are positioned is only a small clue, indecipherable to the common people.

Fortunately, the hidden code of the Vatican has been cracked by writer and researcher Wayne Herschel, who based his research on the pictograph puzzle found in the “Key of Solomon” manuscripts.

The Hebrew Parchment Containing the Secret of the Key of Solomon

 

The Key of Solomon unlocks the mystery behind the home constellations of the “gods”, and it will be of no surprise to my readers to identify them as the Orion’s belt and the Pleiades — the same two constellations pointed out by all advanced civilizations as the home of the gods, and obsessively worshiped by the “elite” ever since.

Above: the Orion’s belt, the Pleiades and the star of Ra (a.k.a. Marduk)
Bellow: The Vatican represents Orion’s belt, while the Seven Hills of Rome
represent the Pleiades. The triangle formed by the Egyptian obelisks found in
the Piazza del Popolo and in front of the Pantheon, together with Castel Sant’Angelo
(used including by the Roman Inquisition as prison for “heretics”), represents
the Trinity stars. The Star Fortress also represents the star of Ra (Marduk).

Further deciphering the secrets of the SS, I will now submit to your attention the cross, which to them probably represents the cross formed by the stars of the Orion constellation. Another theory refers to the cross as representing another of their alleged homes, Nibiru (which, according to Sitchin, it translates as “the planet of the crossing”). [6]

The Chi-Rho “Christian” symbol represents the constellations of Orion and the Pleiades:

 

The Chi-Rho “Christian” symbol
Right: the Orion constellation and the crossing
Left: the Pleiades, the trinity and the star of the “gods”
(based on the evidence, this is the home star of the Anunnaki)

To the common and decent people, the cross represents a tribute brought to Jesus Christ and His great sacrifice, but as I’ve showed you before, the cross predates Christ’s crucifixion by millennia. To them, it has a different symbolism.

On Pope’s Francis Coat of Arms we can also observe: a sun, a eight-pointed star and a pine cone.

The sun probably represents the star of the gods (presented by Ra/Marduk as his home star).

The eight pointed star represents Melchizedek, who was the king of Salem and a priest of the “highest of all gods”. Some theologians have supposed him to have been Shem, the son of Noah/Ziusudra, and grandfather of Nimrod (which later became the king of Shinar and priest of the fish god, as I have previously explained). In Masonry, Melchizedek is connected with the degree of High Priesthood (high mason rank). [7]

The pine cone is a symbolic depiction of the pineal gland, which is also known as the third eye and the Egyptian eye of Horus:

Left: Egyptian Eye of Horus
Right: the pineal gland

The name pineal comes from the resemblance of the gland with a pine cone. The pine cone as a symbol of supreme knowledge can be found in numerous ancient cultures (e.g. Babylonian, Egyptian) and the Roman Cult (the secret society that controls the Vatican) highly reveres it. A gigantic statue of a pine cone can be found in the Vatican’s inner courtyard and even carved onto the papal staff.

Conclusion

In conclusion, the Vatican is not a place of love and peace, as one might imagine. It is a place of dark rituals and great secrecy.

Their purpose is to take away the freedom of our species through indoctrination, fear and control.

And because people fear what they don’t understand, the influence of the Vatican and the Catholic church is immense — greater than any army, tyrant or government.

They are also the greatest financial power on Earth and they will continue to exercise their influence for as long as the human species will continue to give its power away in exchange for an illusory salvation.

THE EMERALD TABLET

written information suggest that the emerald tablet dates back to 26,000 years or more ,and were translated from hieroglyphics.

A HYPER-HISTORY OF THE EMERALD TABLET.

The Emerald Tablet is one of the most revered documents in the Western World, and its Egyptian author, Hermes Trismegistus, has become synonymous with ancient wisdom. His tablet contains an extremely succinct summary of what Aldous Huxley dubbed the “Perennial Philosophy,” a timeless science of soul that keeps popping up despite centuries of effort to suppress it. The basic idea is that there exists a divine or archetypal level of mind that determines physical reality, and individuals can access that realm through direct knowledge of God.

The teachings of Hermes — the Hermetic tradition — is one of the oldest spiritual traditions in the world, and while no direct evidence links the Emerald Tablet to Eastern religions, it shares uncanny similarities in concepts and terminology with Taoism, Hinduism, and Buddhism. In the West, the tablet found a home not only in the pagan tradition but also in all three of the orthodox Abrahamic religions (Judaism, Christianity, and Islam), and many of the most heretical beliefs of the Gnostics are also openly expressed in it. Like the authors of the tablet, the Gnostics believed that direct knowledge of reality could be attained through psychological discipline and meditative exercises. They also shared a common view of the universe in which “All Is One,” a pattern of creation and decay symbolized by the Ouroboros (the snake eating its own tail).

Without doubt, the Emerald Tablet was the inspiration behind many other esoteric traditions, including over 1,700 years of alchemy. Most medieval alchemists hung a copy of the tablet on their laboratory wall and constantly referred to the “secret formula” it contained. In fact, during the sixteenth century, Hermes Trismegistus was such a revered figure that there was a movement to have his teachings replace those of Aristotle in European schools.

Five hundred years later, the tablet’s words are still held in the highest regard. “The Emerald Tablet is the cryptic epitome of the alchemical opus,” noted Jungian analyst Dr. Edward Edinger, “a recipe for the second creation of the world.” Ethnobotanist and consciousness guru Terence McKenna agrees, calling the tablet “a formula for a holographic matrix” that is mirrored in the human mind and offers mankind its only hope for future survival. “Whatever one chooses to believe about it,” sums up John Matthews in The Western Way (Penguin 1997), “there is no getting away from the fact that the Emerald Tablet is one of the most profound and important documents to have come down to us. It has been said more than once that it contains the sum of all knowledge — for those able to understand it.”

However, there is one nagging problem with the Emerald Tablet: Nobody seems to know for sure where it came from, or who really wrote it.

Timeless Myths and Church Politics

Part of the problem trying to figure out the origins of the Emerald Tablet comes from the many legends that cloud its history. In one of the earliest of these fabled scenarios, Hermes was a son of Adam and wrote the tablet to show mankind how to redeem itself from his father’s sins in the Garden of Eden. Jewish mystics identify the tablet’s author with Seth, who was the second son of Adam. They credit him with writing the Emerald Tablet, which was taken aboard the ark by Noah. After the Flood, Noah supposedly hid the tablet in a cave near Hebron, where it was later discovered by Sarah, wife of Abraham. Another version describes Hermes giving the tablet to Miriam, daughter of Moses, for safekeeping. She allegedly put it in the Ark of the Covenant, where it remains to this day. Occult historians generally agree that the tablet was found in a secret chamber under the pyramid of Cheops around 1350 BC. Another interesting legend describes Hermes as a philosopher traveling in Ceylon in the fifth century BC. He found the Emerald Tablet hidden in a cave, and after studying it, learned how to “travel in both heaven and earth.” This Hermes spent the rest of his life wandering throughout Asia and the Middle East teaching and healing. Oddly, the Hindu sacred book Mahanirvanatantra states that Hermes was the same person as Buddha, and each is referred to as the “Son of the Moon” in other Hindu religious texts.

Probably the only constant in all these legends is what the Emerald Tablet looked like. It is always described as a rectangular green plaque with bas-relief lettering in a strange alphabet similar to ancient Phoenician. It is made of emerald or green crystal, and the workmanship is exquisite. Caves, corpses, ancient Egypt, and secret wisdom are common themes in many of the stories.

The history of the tablet was further complicated when its alleged author became associated with the Corpus Hermeticum in the Middle Ages. The seventeen treatises of the Corpus expand on the principles of the Emerald Tablet and appear to be records of intimate conversations between Hermes and his disciples. For over three centuries, they were thought by the Catholic Church to be very ancient and held in the highest esteem. The church fathers believed the Corpus Hermeticum lent support to Christian doctrines, and the documents were required reading for European scholars. Images of Hermes adorned cathedrals all over Europe, and to this day, a giant fresco dominates the Borgia Apartments of the Vatican that shows Hermes, adorned with Hermetic symbols, walking in the company of Moses.

So it caused a great scandal in 1614 when Protestant scholar Isaac Causabon declared these documents forgeries written by “semi-Christians” sometime between 200 and 300 AD. He based his conclusion on a linguistic analysis that dated the writings to that era. For the next two hundred years, the Hermetic literature, which had been embraced by the early followers of Christ, was condemned by Christians everywhere. Although it was not officially part of the Corpus Hermeticum, the Emerald Tablet suffered the fate of all writings attributed to Hermes and went underground in a variety of secret organizations such as the Rosicrucians and Freemasonry.

The reverence with which these diverse groups continued to hold the Emerald Tablet is exemplified in the following paragraph from the Morals and Dogma of Freemasonry: “He who desires to attain the understanding of the Grand Word and the possession of the Great Secret, ought carefully to read the Hermetic philosophers, and will undoubtedly attain initiation, as others have done; but he must take, for the key of their allegories, the single dogma of Hermes, contained in his Table of Emerald.” There are other more veiled references to the Hermetic tradition in Freemasonry. For instance, their sacred name “Hiram Ibif” refers to the first Hermes (Hermes Ibis or Thoth), who, according to Masonic tradition, arrived “in the year of the world 2670.”

Today, most scholars agree that the Emerald Tablet is separate from or predates the Corpus Hermeticum and was probably the inspiration for them, and in this sense, the Corpus really does contain ancient writings. “In the mystic sense,” summarized the nineteenth-century French scholar Artaud, “Thoth or the Egyptian Hermes was the symbol of the Divine Mind; he was incarnated Thought, the Living Word — the Logos of Plato and the Word of the Christians. So the Corpus Hermeticum really does contain the ancient Egyptian doctrine of which traces can be discovered from the hieroglyphics which still cover the monuments of Egypt.”

Thrice Greatest Hermes

However, the question still remains: Who really wrote the Emerald Tablet and when? New evidence started to turn up in the late nineteenth century, when new discoveries about Egypt and the deciphering of hieroglyphics suggested that the principles exposed in the tablet go back at least 5,000 years. Some scholars suggested the date of origin for the Emerald Tablet to be around 3000 BC, when the Phoenicians settled on the Syrian coast. Phrases from the tablet, including references to the One Mind, the One Thing, and the correspondences between the Above and the Below, were discovered in many Egyptian papyrii, such as Papyrus of Ani and the Book of the Dead (1500 BC), the Berlin Papyrus (2000 BC), and other scrolls dating between 1000 and 300 BC. One early Hellenistic papyrus known as An Invocation to Hermes might refer directly to the Emerald Tablet and its author: “I know your names in the Egyptian tongue,” it reads, “and your true name as it is written on the Holy Tablet in the holy place at Hermopolis, where you did have your birth.”

That “true name” is the same name that all the Egyptian records point to as the author of the tablet: Hermes. But this person appears to have a threefold identity, which is why in the Latin translations of the tablet, he is called “Hermes Trismegistus” or “Hermes the Thrice Greatest.” If we follow the strict genealogical order in the Egyptian texts, Hermes is the son of the Agathodaimon, the great Thoth, who is the Egyptian god of all learning and hidden knowledge. According to those same texts, Hermes himself had a son, Tat, who was a scribe and lived in Alexandria around 250 BC. As mundane as all this sounds, there is something very disconcerting about the triple progression here. It descends from god to god/man to common man.

The Egyptians were the world’s most accomplished esoteric symbolists, and it is possible that this triple descendancy is a clue to understanding the true nature of Hermes. Yet to unravel this clue, it is necessary to forsake the traditional archaeological approach. In the words of the tablet itself, we need to “separate the Earth from Fire, the subtle from the gross.” Is it really possible to trace the origins of Emerald Tablet by moving to a higher level and following its spirit back through time? Could there be a grain of truth in the old legends that historians have ignored? In creating such a hyper-history, it is necessary to look at the psychology, philosophy, and beliefs of those associated with the tablet and the societies in which they lived.

Thoth: the First Hermes

There are tantalizing bits of evidence that suggest mysterious visitors came to Egypt over 12,000 years ago and brought with them a powerful spiritual technology, which they passed down to future generations in a time capsule of wisdom that became known as the Emerald Tablet. The Book of What Is In the Daat, the Book of the Dead and other Egyptian funerary texts, and numerous rebirth texts refer to a remote epoch known as the “Zep Tepi,” a time before the Great Flood when the godlike beings came to earth and established their kingdom in Egypt. They included Thoth, the “god” of science and mathematics, who is said to have written the Emerald Tablet and hid it in a pillar at Hermopolis to preserve it through the coming world deluge.

Thoth, who most sources agree was the “first Hermes,” is impossible to categorize intellectually because he transcends anything we normally think about gods and men. Usually depicted as a man with the head of an ibis (a wading bird with a long curved beak), this Egyptian neter (archetypal power) seems a simple personification of the powers of mind. He was said to be responsible for teaching men how to interpret things, arrange their speech in logical patterns, and write down their thoughts. As the inventor of hieroglyphics, Thoth instituted record keeping and founded the sciences of mathematics, astronomy, and medicine. However, there are subtle clues in the many alternative names for this God of Thought that suggest he really represents the ultimate archetype of the Word of God (the One Mind) creating the universe.

Thoth is called the “Source of the Word,” the one god without parents who precedes all others. He is the “Soul of Becoming” whose creative willpower fashions reality. “What emanates from the opening of his mouth,” says an ancient Egyptian text, “that comes to pass; he speaks and it is his command.” As the “Reckoner of the Universe,” Thoth is the source of all natural law; as the “Shepherd of Men” and “Vehicle of Knowledge,” he is the higher mind in man that provides inspiration and inner knowledge. According to the Ebers Papyrus, a 68-foot-long scroll on alchemy that is the oldest book in the world: “Man’s guide is Thoth, who bestows on him the gifts of his speech, who makes the books, and illumines those who are learned therein, and the physicians who follow him, that they may work cures.” As the “Revealer of the Hidden” and “Lord of Rebirth,” Thoth is the guide to alternate states of consciousness and initiator of human enlightenment. One of Thoth’s scrolls, The Book of Breathings, supposedly taught humans how to become gods through breath control.

Paradoxically, Thoth embodies the rational powers of the Sun as well as the intuitive, irrational energies of the Moon. The ibis is the Egyptian symbol for the heart, and, as “Recorder and Balancer,” Thoth presides over the Weighing of the Heart ceremony, which determines who is admitted into heaven. Thoth is the final judge, who weighs individuals’ “true words,” the innermost intent in all of our thoughts and actions.

Just before the Great Flood, Thoth preserved the ancient wisdom by inscribing two great pillars and hiding sacred objects and scrolls inside them. Egyptian holy books refer to these sacred pillars, one located in Heliopolis and the other in Thebes, as the “Pillars of the Gods of the Dawning Light.” They were moved to a third temple where they later became known as the two “Pillars of Hermes.” These splendorous columns are mentioned by numerous credible sources down through history. The Greek legislator, Solon, saw them and noted that they memorialized the destruction of Atlantis. The pillars were what the historian Herodotus described in the temple of an unidentified Egyptian god he visited. “One pillar was of pure gold,” he wrote, “and the other was as of emerald, which glowed at night with great brilliancy.” In Iamblichus: On the Mysteries, Thomas Taylor quotes an ancient author who says the Pillars of Hermes dated to before the Great Flood and were found in caverns not far from Thebes. The mysterious pillars are also described by Achilles Tatius, Dio Chrysostom, Laertius, and other Roman and Greek historians.

In summarizing all the ancient wisdom and preserving it, Thoth the first scribe can be considered the true author of the Emerald Tablet. As a god, Thoth is the archetypal Hermes, the Hermes above, the first of three incarnations of Hermes Trismegistus.

Akhenaten: the Second Hermes

The “second Hermes” arrives on the scene sometime after the Great Flood. According to the Ebers Papyrus, such a person actually lived during the Amenhotep dynasty, and there is only one person who seems to have promulgated the spirit of the Emerald Tablet during those centuries. It was Amenhotep IV, who ruled from 1364 to 1347 BC. Shortly after he took the throne, he suddenly changed his name from Amenhotep (meaning “Amen is Satisfied”) to Akhenaten (“He Who Serves the Aten”). His name change signaled his break with the powerful priests of Amen to set up a new monotheistic religion that recognized the sun as the One Thing, the source of all creative energy. The new Egyptian supreme god, called the Aten or simply “the Disk,” was never personified like previous gods but was thought of as an abstract energy. Pictures of the Aten show the Disk with rays coming down from heaven and terminating on earth in hundreds of tiny hands.

“The Aten is Radiant Energy personified,” wrote one twentieth-century Egyptologist, “that is to say, an all-pervading reality of an immanent character. Akhenaten deliberately brushed aside the distinction between the god, maker of the solar Disk, and the solar Disk itself, the distinction between creative energy and created matter. The Disk was, like all matter that falls under our senses, but a visible manifestation of something more subtle, intangible, everlasting — its essence. And the heat and light, the energy of the sun, was the manifestation of that One Thing of which the visible flaming Disk was yet another manifestation.”

Some occult authors have dubbed Akhenaten the “Extraterrestrial King,” and there is no doubt he possessed alien features. He had a thin face and a massive elongated bald head supported by a spindly neck, and his drooping shoulders, pear-shaped torso, lack of musculature, and scrawny legs certainly made him look like a space traveler. Akhenaten was also very androgynous in appearance, and respected scholars have accused him of being a homosexual or a woman masquerading as a man. Statues of Akhenaten have survived that show him naked with the breast of a woman and no male genitalia. It is known that this freakish pharaoh claimed one of the most beautiful women in the world as his bride, the lovely Nefertiti (whose family origins are still unknown to Egyptologists), and also shared the throne with a handsome young man by the name of Smenkhkare. Both of Akhenaten’s co-rulers shared the title “Beauty of All Beauties.”

Although traditional history makes no mention of it, our hyper-history suggests that Akhenaten rediscovered the Emerald Tablet at the beginning of his rule as pharaoh. According to at least one ancient papyrus, without the writings of Thoth the larger pyramids could not be built, so a great search throughout Egypt was conducted until they were found. Whether or not he found the tablet, Akhenaten stands as a candidate for the second Hermes because he tried to apply the tablet’s principles and spread its spirit throughout his reign. Known as the heretic pharaoh, he espoused the revolutionary concept of “living in truth” and acting in natural accord with cosmic principles that the tablet called the “Operation of the Sun.” He referred to this universal ideal as Maat, which meant the “real thing” or absolute truth, the original will of the One Mind. The agent of Maat was the One Thing, of which the physical sun, or the solar Disk, was the physical expression.

Akhenaten’s Hymn to the Aten is considered one of the best pieces of Egyptian lyric poetry ever discovered, and several scholars have noted its similarity in spirit to Emerald Tablet. A few lines reveal Akhenaten’s passionate belief in the One Mind: “How manifold it is, what You have made yet hidden from the face of man. Oh One God, like whom there is no other, You created the world according to your desire, while You were alone: all men, cattle, and wild beasts, whatever is on earth, going on its feet, and what is on high, flying with its wings.”

The principle of “living in truth” permeated every level of Egyptian society under Akhenaten. Most noticeable was the sudden change in the stiff and lifeless style that dominated Egyptian art. For the first time, Egyptian reliefs and paintings portrayed natural subjects such as plants and animals in exacting detail, and traditional scenes of sterile Egyptian society were replaced by such ungodly behavior as Akhenaten kissing his wife or bouncing his daughters on his knee. In another striking break with tradition, Akhenaten ordered the abandonment of the old capitol of Thebes and built a new capitol city, Akhetaten (“Horizon of the Aten”), on a desolate stretch of land along the east bank of the Nile near the modern Egyptian city of Asyut. Scandalously, villas in the 60,000-population city were constructed without separate quarters for men and women, and women in particular were treated with more respect there.

Yet for the disenfranchised patriarchal priests, Akhenaten might as well have been from another planet. After just seventeen years of rule, Akhenaten and Nefertiti disappeared under mysterious circumstances, and it seems likely that the former priests of Amen did away with them. Akhenaten was well aware of the brewing unrest among the priests but never hesitated spreading the precepts contained in the tablet. By some indications, one of those that took his ideas to heart was a man of god by the name of Moses. According to Exodus, Moses had fled to the land of the Kenites, which is what the subjects of Akhenaten were called. In the open court of the time, it can be assumed that Moses would have conferred with the pharaoh many times on behalf of his people. In Moses and Monotheism (1939), Sigmund Freud was the first to suggest that Moses appropriated the pharaoh’s idea of one supreme god and brought the new religion to the Jews. Perhaps all the legends linking Moses and tablet are not so far off.

In any case, the heretic pharaoh was eventually replaced by a ten-year-old boy. His given name, Tutankaten (“Servant of the Aten”), was changed to Tutankamen (“Servant of Amen”) after Akhenaten’s murder. The child pharaoh was tightly controlled by fundamentalist priests, who restored the capitol to Thebes, destroyed the city of Akhetaten, and erased all traces of monotheism from Egypt. Unlike the magnificent golden mummy of King Tut, the bodies of Akhenaten and Nefertiti were never found. Archeologist Sir Alan Gardner surmised that Akhenaten’s body had been “torn to pieces and thrown to the dogs.” The only written references to the Aten after the Akhenaten’s death were enigmatic allusions that associated the Disk with the great Sphinx on the Giza Plain.

Apollonius: The Third Hermes

Our hyper-history continues with the life of another Egyptian pharaoh, a Greek who became pharaoh when he conquered Egypt in 332 BC — Alexander the Great. As pharaoh, he gained access to all the treasures of Egypt, including the whereabouts of Hermes’ (Akhenaten’s?) tomb. Convinced it was his destiny to reveal the ancient secrets, Alexander immediately headed across the Libyan desert to an ancient temple at Siwa near where the tomb was located. According to Albertus Magnus and others, that is where Alexander found the Emerald Tablet.

Alexander took the tablet and scrolls he found in the tomb to Heliopolis, where he placed the scrolls in the sacred archives and put the Emerald Tablet on public display. Construction of the city of Alexandria to house and study the Hermetic texts was begun immediately, and he assembled a panel of priests and scholars to prepare Greek translations. According to esoteric historian Manly P. Hall, the mysterious Emerald Tablet caused quite a stir. One traveler, who had seen it on display at Heliopolis, wrote: “It is a precious stone, like an emerald, whereon these characters are represented in bas-relief, not engraved. It is esteemed above 2,000 years old. The matter of this emerald had once been in a fluid state like melted glass, and had been cast in a mold, and to this flux the artist had given the hardness of the natural and genuine emerald, by his art.”

When Alexander left Egypt, it has been suggested that he took the original tablet with him and hid it for safekeeping before going on to conquer Babylonia and India. Meanwhile, copies of the tablet became primary documents at Alexandria, and according to some reports, scholars issued revised Greek translations in 290 BC, 270 BC, and 50 BC. Several papyrii in the British Museum mention a canon of Egyptian teachings that included the writings of Hermes that was still in existence at the time of Clement of Alexandria (around 170 CE). Fortunately, before Alexandria’s libraries were destroyed in successive burnings by the Romans, Christians, and Muslims, copies of the Emerald Tablet had made their way into Arabia and from there eventually reached Spain and Europe.

After Alexander died from a fever on his return from India, his body was interred in a tomb somewhere in the Egyptian desert, although to this day, no one knows where. Yet someone did discover the hiding place of the Emerald Tablet. It is said that a brilliant Syrian youth named Balinas found it hidden in a large cavern just outside his hometown of Tyana in Cappadocia. It was Balinas who absorbed the tablet’s teachings and once again brought them to light in the Western world. The youth became known as Apollonius of Tyana (after Apollo, Greek god of enlightenment and brother of Hermes). Respected for his great wisdom and magical powers, Apollonius traveled throughout the world and eventually settled in Alexandria.

Unfortunately, Apollonius was a contemporary of Christ, and early Christians felt he was much too like their own Son of God. By 400 AD, every one of the scores of books Apollonius wrote in Alexandria and all of the dozens of temples dedicated to him were destroyed by Christian zealots. But Apollonius still stands as the third Hermes in our hyper-history, because he did more than any other person in the modern era to assure that the Emerald Tablet and its principles survived.

The earliest surviving translation of the Emerald Tablet is in an Arabic book known as the Book of Balinas the Wise on Causes, written around 650 AD and based on Apollonius’ Alexandrian writings. It also appears in the eighth century Kitab Sirr al Asar, an Arabian book of advice to kings. Another Arabic text, written by alchemist Jabir Hayyan around 800 AD, contains a copy of the Emerald Tablet and also gives Apollonius as the source. In all these texts, Apollonius describes finding the Emerald Tablet in the underground cavern in Tyana. He never claims credit for it, though he spent the rest of his life writing about it and demonstrating its principles to anyone who would listen.

What have we learned from our attempt at hyper-history? Can we even tell if the author of the Emerald Tablet was a man or a god? The answer down through the ages has always been both, and whether portrayed as man or god, Hermes is always the revealer of ultimate knowledge hidden to mankind. He is like a spirit who reincarnates through time to guide us in our struggle toward enlightenment. It is a tradition that goes all the way back to the first Hermes, the god Thoth, who was said to inspire people with direct perception of truth. “May Thoth write to you daily,” utters the 3,500-year-old Papyrus of Ani.

 

 

THE REALITY OF TERRORISM AND RELIGION

we wonder why they humuliate each other as they do,and wonder why they hold little worth for human life ,TO ASK US WHY THEY TURN FROM BAD TO WORSE  IS TO IGNORE FROM WHICH THEY CAME,you would not ask why the rose that grew from the concrete had damage petals on the contrary we will celebrate its tenacity we all love its will to reach the son , well they are the rose religion and poverty is their concrete and and TERRORISM is the result of their damaged petals.